The artwork "The Wedding of Humay and Humayun," created by the painter Junayd, is considered one of the prominent masterpieces in the history of Persian miniature painting. This work is rich in profound cultural symbols and meanings that have captivated artists, researchers, and scholars. Among the multiple elements in this artwork, fire stands out as a critical subject for examination. The goal of this study is to investigate the role of fire and its connection to human imagination in this artwork, focusing on the core question: How can the link between the element of fire and human imagination in this work be analyzed and explained using Gaston Bachelard's theory? This research adopts a descriptive-analytical approach and utilizes a phenomenological framework to examine the element of fire in the aforementioned artwork. The statistical population of this study includes four miniatures by Junayd that showcase various elements of art and imagination. However, "The Wedding of Humay and Humayun" was selected as the most suitable sample for analysis based on Bachelard's theoretical framework, given its thematic diversity and the prominent presence of fire. This selection allows a more detailed examination of the artwork's specific characteristics and provides a deeper understanding of the relationship between fire and human imagination. The data for this research were collected through library resources, including credible books and academic articles, as well as related analyses. The findings indicate that the element of fire in the miniature "The Wedding of Humay and Humayun" acts as a powerful symbol of love and life, revealing the deep emotional connections between the depicted characters. The presence of candles, designed with warm colors, evokes feelings of vitality, hope, and energy. In Iranian cultural traditions, fire has long been associated with new beginnings, transformation, and celebration. In the context of a wedding ceremony, fire assumes a sacred role, symbolizing the union of two lives and the joyful energy that accompanies such a significant event. The candle flames in this artwork not only provide light but also embody the emotions associated with love and the bond between the characters. Each flame can be seen as a manifestation of life itself, signifying passion, desire, and the promise of a shared future. Gaston Bachelard's theory of Material Imagination serves as a vital perspective for analyzing the significance of fire in this artwork. Bachelard posits that imagination is not merely an abstract faculty but can be rooted in the physical elements of the world around us. He emphasizes the importance of the four classical elements—water, air, fire, and earth—and their profound influence on human creativity and emotional experience. In "The Wedding of Humay and Humayun," fire acts as the catalyst for imagination. Its artistic representation transforms it into a material entity that incites deep emotions and reflections in the viewer. Bachelard argues that imagination, through these elemental representations, can access deeper layers of human experience, enabling a richer understanding of our emotions and desires. Bachelard's exploration critically informs the analysis of the 'phénoménologie de l'imagination' (phenomenology of imagination), specifically by showing how the flame's dynamic, flickering nature serves as a primal, archetypal image. This elemental engagement allows the viewer to partake in a spontaneous, poetic reverie, linking the artwork's static depiction to a dynamic, lived emotional reality. This methodological focus elevates the study from mere iconographic interpretation to an investigation of the artwork's affective resonance. The intricate designs and warm colors used to depict the candles further enhance their symbolic meaning. The use of vibrant reds, yellows, and oranges not only creates an appealing visual composition but also amplifies the emotional depth of the scene. Red, a symbol of love and passion, combined with the warmth of yellow and orange, generates an atmosphere of joy and celebration. Each candle, with its unique design, contributes to a collective narrative that underscores the importance of love and unity in human existence. The emotional connections portrayed through the element of fire in this artwork invite viewers to reflect on their own experiences of love, relationships, and the values that bind us together as human beings. The candles function as visual metaphors for the complexities of human emotions, illuminating the inherent joys and challenges in intimate connections. Furthermore, the cultural significance of fire in Iranian traditions adds another layer of meaning, emphasizing how art can both reflect and shape societal values. In conclusion, the analysis of the element of fire in "The Wedding of Humay and Humayun" reveals its profound role as a symbol of love, life, and emotional connection. By employing Bachelard's theory of Material Imagination, we can appreciate how fire transcends its visual representation to become a powerful vehicle for expressing the complexities of human experience. The presence of candles in this artwork not only enhances its aesthetic appeal but also serves as a reminder of the enduring nature of love and the importance of shared moments in our lives. This study contributes to a deeper understanding of the relationships between art, imagination, and natural elements in Iranian visual arts.