نوع مقاله : مقاله پژوهشی
نویسندگان
دانشگاه هنر اسلامی تبریز
چکیده
کلیدواژهها
عنوان مقاله [English]
نویسندگان [English]
The way Fereydoun sits on the throne, or sitting royally, shows his special and even extraterrestrial position. The characteristics of the king's throne, the clothes and tools that he wears, as well as the position and composition of his drawing, can all be a sign of the sensitivity that the painter has towards the first person of the story centered on Fereydoun. This research has been done with the aim of identifying and classifying the way Fereydoun sits in the pictures of the Shahnameh of Shah-Thamasbi in the composition of the mentioned pictures and to identify and identify the pictorial features resulting from these elements in the pictures. In order to achieve the results of the main question of this article, it has been compiled as follows: 1- What visual characteristics does Fereydoun's position and sitting position on the king's throne have? In this research, the linear analysis of the king, the throne, the scepter, and the placement of the king in the composition of the painting have been discussed, and after the description and analysis of the data, the researchers have come to the conclusion that out of the nine paintings examined, the type of sitting of Fereydoun on the royal throne It is meaningful and corresponds to the content of the text (the unique character of Fereydoun in the Shahnameh). Generally and specifically, the king's throne is divided into two important categories: two-part and three-part thrones. Also, in most paintings, the figures of the king have crowns and luxurious clothes, and in the hands of Fereydon or his assistants, a cow-headed mace is seen, which is a symbol of his kingship. The composition of Fereydon's placement in the painting also attracts attention and has a central state. All of these cases show the lofty, important position and have the divine meaning.After describing and expressing the pictures, from the data of the previous sections, the three main keywords of this article can be respectively; He examined the throne, the body of the king and its composition:
After examining the images, it can be concluded that we are facing two important categories of royal thrones, and all the examined thrones in these nine images are composed of the following components: 1. Sitting room 2. Support 3. Crown above the bed support 4. Platform under the bed 5. Chair 6. Roof above the bed or canopy.
In the studies carried out on the pictures, Fereydoun is sitting on the throne, except for two pictures (lamentation over the death of Iraj, handing over the royal throne to Manouchehr) who is sitting on the ground. In the painting "Lamentation over the death of Iraj", Taj Fereydoun falls from his head due to the grief of the death of his child and is sitting while holding Iraj's head In the painting "Handing over the royal throne to Manouchehr", he is sitting on the carpet next to Manouchehr, which is a confirmation seal of Manouchehr being the king. At the beginning of his reign, Fereydon held the gauser mace in both hands. One of the most important identifying features of Fereydon is the cow-headed mace. in his hand, this mace is one of the symbols of Far Kiani, in the next eight images, the mace is in the hand of one of his attendants.
کلیدواژهها [English]
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