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Volume 5 (2025)

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Volume 4 (2025)

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Most Visited Articles

Analysis of the Painting "Isfandiyar kills Arjasp to Rescue his Sisters" by Mir Khalil Musavvir, Based on Erwin Panofsky's Iconological Approach

Iconological Reading of the Symbolic Motif of Simurq in Sassanid Textiles based on Panofsky’s Views

Analytical Study Animal Motifs on The Glassware Egypt Fatimids

An Analysis on the Products of Major Pottery Workshops of Mazandaran Today from a Native Identity Perspective

Analysis of motifs of the Niello art of the Ahwaz Mandaean people Based on the theory of cultural reflection

Study of effective factors on the design of textiles Ghiyath Al-Din Ali Naqshband Yazdi fabrics in Safavid period

semiotic analysis of the mystical painting "Sheikh Sanan meeting with the Christian daughter "

A Comparative Study of Supernatural Creatures (Divs) in Persian Timurid Miniature Painting and Japanese Ukiyo-e Art of the Utagawa School

10.22034/rac.2026.2075460.1151

Sepide Hushyar Talami, PARISA ARVAND

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An Analysis of the Structural and Pictorial Components of a Qajar Lacquered Qalamdan Attributed to Aqa Najaf Isfahani, with Emphasis on the Representation of Women: A Case Study of the Pen Box Sold at Chiswick Auctions, London

10.22034/rac.2026.2077607.1160

Elaheh Panjehbashi, elsa tabatabaie

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A Study of Visual Symbols in Women's Attire during the Qajar Era and Their Reinterpretation in Vintage Fashion for Muslim Women

10.22034/rac.2026.2064000.1139

Zahra Hamidi, mahnaz Khajeh

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The Evolution of the Representation of the Human Image in the Paintings of Master Mahmoud Farshchian

10.22034/rac.2026.2076555.1153

Hasti Mirzaei, Marjaneh Soozankar

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The Representation of the Fish Motif in Kashan Art: Form, Decoration, and Visual Meanings (6^th_8^th Centuries AH)

10.22034/rac.2026.2073852.1147

Zahra Saberiyan Najafabadi, Abbas Akbari

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Semiotics of Motifs in Traditional Baths of Kerman (Case Study: Ganjali Khan, Vakil, and Ebrahim Khan Zahir al-Dowleh) )

10.22034/rac.2026.2062436.1135

Zahra Farahbakhsh, Javad Madahi Mashizi

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Publication Information

Publisher

دانشگاه سوره تهران

Director-in-Charge

Mohammad Hossein Saei

Editor-in-Chief

Mehran Houshyar

Editorial Board

Kamran Afshar Mohajer

Mohammad Hossein NaserBakht

Mehrnoosh Shafie Sararoudi

Mohamad RezaGhiasian

Mohammad Afrough

International Editorial Board

Advisory Board

Mahin Sohrabi Nasirabadi

Mohammad Mahdi Akhavian

Manager

Mahdi Mohammadi

Executive Director

Masoumeh Zamani Saadabadi

Frequency

Quarterly

Print ISSN

2821-0352

Online ISSN

2821-0360

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Indexing and Abstracting

Iranian Scientific Association Visual Art

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Keywords Cloud

Iconology
Islamic art
Iranian painting
Miniature
Persian Miniature
Women\'s Clothing
persian painting
Painting
Erwin Panofsky
Iconography
Qajar
Glass art
intertextuality
inscription
Hermeneutics
Qajar period
Qajar painting
Qajar era
Form
Astan Quds Razavi
Isfahan School
Shahnameh
decorative Motifs
Iranian Glassmaking
Decorations
mani
Carpet
Timurid period
Iranian art
Sustainable development
Khorasan
structure
methodology
Morphology
Mysticism
pathology
Kerman
epic
Imam Reza
motif
Ferdowsi
Women
power
Religion
Armenia
Native Identity
Philosophical hermeneutics
Social Status
Safavid Painting
conceptual metaphor
instruction
Roland Barthes
Traditional arts
layered semiotics
Traditional Houses
semiotic
Islamic Revolution’s Art Discourse
Gadamer
Traditionalists
Sign
Flower
Tehran city
meaning
Bronze Age
Iranian architecture
pattern
narration
Michel Foucault
Naser al-Din Shah
نقش
Historicism
\"intuition\"
Semiotics
art
Shiism
Timurids
Critical
endowment
Everyday objects
Craft
Imaginary order
Safavid art
Kiyani Pen- Box
Grotesque
Ashura
Metalwork
Chalipa
Good Adjacency
Rami Constellation
Abul Hasan Mostofi Qafari
Pottery Products
Qurkhāneh (Arsenal)
Hunting
Mural Painting
Herat School
Rostam and Sohrab
Common Iconic Motifs
hypertextuality
Geometric Motifs
Sassanid
Manichaeism
engraving
Metalworking
Divine Comedy
Seven Decorative Principles of Painting
Muslim Women
Safavid period
Needlework
Gates and Facades
Tiles
Narriative
litrature
Glassware
Islamic Revolution Persian painting
mystical literature
Female Persian painters
Shahr-e- sokhta
textiles
knitting techniques
Tools of knitting
Jewish Art
Story of Solomon king and Queen Sheba
Tasheir
Decorative patterns
Stylistics Tasheir
Japanese ceramics
Casting
stylistics
Nezami Ganjavi
Reza Abbasi
Religious Teachings
Tabriz II Painting
Battle
Mazandaran
symbolism
Egypt
Ghyath ad-din Ali Naqshband Yazdi
mural
Restoration
Fairclough
portraiture
Textile
Fabric Design of Safavid Period
Yazd Textile Weaving School
Suhrawardi
Isfahan Painting School
Jamshid
\"Ghezelbashi hat\"
Handicrafts
Haft Peykar System
Herat School Painting
Fatimid
\"Safavid\"
Animal Motifs
Niello
\"Militarism\"
Ahwaz Mandaean nation
indigenous culture
Irfan
luxury items
Gender
Islamic sources
Handicraftn Higher Education
Education for Sustainable Development
Sustainability Skills
Qajar Pen- Box
\"Miniature\"
Chester Beatty Library
Practice-based research
Qajar Art
Achaemenid Empire
Simurq
Chehel Sotoon Palace
Mir Emad
calligraphy
Fluid Baselines
Handi crafts art
Sagittarius
: Research of art
Qeisariah Gate of Isfahan
Seal
Qualitative-Comparative
Discourse Analysis
Mingei criterion of beauty
Japanese folk arts
Statue
Arts an Crafts
Ali ibn Musa al-Riza (PBUH)
Symbolic Order
murals
architectural decorations
Decorative Elements
Mingei
Visual Features
Getemono
Achaemenid Architecture
Iranian-Islamic Architecture
Re-Creation
Real Order
aesthetics

Industrial Arts

Journal Archive

A Comparative Study of Supernatural Creatures (Divs) in Persian Timurid Miniature Painting and Japanese Ukiyo-e Art of the Utagawa School

An Analysis of the Structural and Pictorial Components of a Qajar Lacquered Qalamdan Attributed to Aqa Najaf Isfahani, with Emphasis on the Representation of Women: A Case Study of the Pen Box Sold at Chiswick Auctions, London

A Study of Visual Symbols in Women's Attire during the Qajar Era and Their Reinterpretation in Vintage Fashion for Muslim Women

The Evolution of the Representation of the Human Image in the Paintings of Master Mahmoud Farshchian

The Representation of the Fish Motif in Kashan Art: Form, Decoration, and Visual Meanings (6^th_8^th Centuries AH)

Semiotics of Motifs in Traditional Baths of Kerman (Case Study: Ganjali Khan, Vakil, and Ebrahim Khan Zahir al-Dowleh) )

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Industrial Arts

Journal Archive

A Comparative Study of Supernatural Creatures (Divs) in Persian Timurid Miniature Painting and Japanese Ukiyo-e Art of the Utagawa School

An Analysis of the Structural and Pictorial Components of a Qajar Lacquered Qalamdan Attributed to Aqa Najaf Isfahani, with Emphasis on the Representation of Women: A Case Study of the Pen Box Sold at Chiswick Auctions, London

A Study of Visual Symbols in Women's Attire during the Qajar Era and Their Reinterpretation in Vintage Fashion for Muslim Women

The Evolution of the Representation of the Human Image in the Paintings of Master Mahmoud Farshchian

The Representation of the Fish Motif in Kashan Art: Form, Decoration, and Visual Meanings (6th_8th Centuries AH)

Semiotics of Motifs in Traditional Baths of Kerman (Case Study: Ganjali Khan, Vakil, and Ebrahim Khan Zahir al-Dowleh) )

Publication Information

Search

Indexing and Abstracting

Keywords Cloud

Related Journals

The Representation of the Fish Motif in Kashan Art: Form, Decoration, and Visual Meanings (6^th_8^th Centuries AH)