نوع مقاله : مقاله پژوهشی
نویسندگان
1 هنراسلامی، دانشکده هنر، دانشگاه سوره، تهران، ایران
2 مدرس و مدیر گروه گروه صنایع دستی. دانشکده هنر. دانشگاه سوره. تهران. ایران
3 وزارت میراث فرهنگی، گردشگری و صنایع دستی
چکیده
کلیدواژه‌ها
عنوان مقاله [English]
نویسندگان [English]
The painting of a coffee house, which was created by uneducated people and based on imagination during the Qajar era, helped the public to visualize epic, national and religious stories and traditions. One of the founders of this style of Iranian painting can be mentioned Hossein Qoller Aghasi, who based on the element of fantasy and his mental images of the narrative of Rostam and Sohrab's tragic story, which is a sad story of the father and son's confrontation and the son's death by the father, has depicted. The current research is based on rereading the painting related to this narrative by Hossein Qoller Agassi by Gadamer's hermeneutic perspective. Accordingly, this work is read by the six parts of Gadamer's approach, namely social and historical context, common language, dialogue, prejudice, and fusion of horizons. This research is descriptive-analytical in nature and has a qualitative approach in terms of its fundamental goal. The information and data needed for this research have been collected through library sources and documents. The result of this research is the answer to the question of how to read and interpret the tragic painting of the death of Sohrab by Hossein Qoller Agassi through hermeneutic perspective. . By examining the mentioned painting by Gadamer's approach, it was observed that the desired factors of Gadamer's approach indicate the structure of the work. Hossein Qoller Agassi as a party to the conversation, with the knowledge that he does not know the whole truth and also using the traditional Iranian art that he had learned experimentally and the common Persian language, based on his prejudices, which is the result of the semantic horizon of a time in which He has lived, talks with Ferdowsi's poems and Iranian painting And by taking influences from it, through the lens of his semantic horizon, which is the prevalence of Pahlavis and the constitutionalism of the people, he tries to eliminate this gap, which ultimately leads to the creation of a work that belongs to his cultural, social and political conditions, but in line with It is the revival of the national and cultural identity of the past that ultimately leads to the formation of a style and manner that belongs to his era. Re-reading this work based on Gadamer's philosophical hermeneutic approach helps to find the factors that make understanding easier, therefore, hermeneutic approaches including the mentioned approach are a way to better understand the work or text under study.
کلیدواژه‌ها [English]
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